Gibson Les Paul Gold Top String Gauge Change

How classy is this guitar? I love the gold too finish on these guitars… So beautiful!

The client wanted to take this up from 10’s to 11’s, and originally had a set of Elixir strings, with the new ones being Ernie Ball Power Slinky.

During the process I stripped and polished the hardware on the guitar, which also enabled me to get under the pickguard – it’s like a new guitar!

Stringing this baby up was a real joy! The action is set super low, but she sings! The clean sound is lush on this… Mustn’t covet!


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Freshman Acoustic and Aria Electric Setups

Well today has been an interesting day of setter-up-ering!

The Freshman acoustic already had a very low action – almost too low – so alongside cleaning the fretboard of all of the gunky deposits, I raised the treble side of the bridge in order to relieve the buzzing on the neck a fraction.

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The truss rod was pretty seized from a setup, so the neck had to stay as straight as it was, but this didn’t prove too problematic, and the guitar plays great – especially for an acoustic!

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The Aria guitar was a very different problem, as the jack plate needed bending into shape – for some reason it was very flat in it’s profile from new – so I needed to flex the guns!

First I need to de-solder the Jack socket, and saw through the threaded section of the socket because the nut holding the Jack plate in place wouldn’t come off! Quite extreme measures, but it needed doing.

Once that was done it was a simple job to bend the plate to match the curvature of the body of the guitar, a re-solder of a replacement chassis, then a straightforward set-up from there. This was a really lovely guitar to work on, and the action is much slicker now!

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Yamaha Pacifica Set-up

So yesterday a lovely chap dropped over his Yamaha Pacifica 112 guitar which was in need of a setup. In its lifetime it had been strong with 9’s, 8’s, and mostly recently 10’s, leading to a raised tremolo bridge and high action. The bridge saddles were set flat, so they needed attention too.

The client simply wanted the guitar set for the 10’s, with minimal buzz – at a height whereby his fingers didn’t rise on top of his fingers.

In order to achieve this, I fitted an extra spring to the tremolo, which brought the bridge flat to the body (another request of the client), and then set about getting the action just so.

I set it to factory settings (1.9mm and 2.4mm at the top fret respectively for each E string), and this was to the customer’s liking.

After intonating the guitar and a quick polish, this guitar spent a little over 36hrs in my possession all told, and it was great to be able to get it back into the customer’s hands before Christmas!


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Gibson Les Paul Standard – Fret Stone and Electrics Troubleshoot

There seems to be lots of lovely Gibson Les Pauls around here! This particular one is a left hander, in ebony, and the condition was such that it needed quite a deal of love and tidying up.

The fret wire came to me severely pitted, and it looked like it would be borderline whether this would be a re-fret or whether a simple fret stone/re-crown would suffice.

Having seen how little fret height you can get away with on a Les Paul, I went ahead with the fret stone option, and it came out really well. There’s a lot more life yet in these frets, and after some careful work, this guitar was back to playable!

The action was so low when it arrived, that the strings were completely choking on the upper frets, however that has been rectified and there is a consistent feel along the length of the neck.

One other problem that needed fixing was a faulty tone control. Upon inspection this turned out to be a broken leg from the capacitor joining the bridge volume pot to the tone pot. It was an easy job to switch it out, and now the LP has its full compliment of controls working again!

A final clean and polish finished this baby off, and she was gratefully received!


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Ibanez Set-up

Just a quick post about an ibanez guitar in need of some love!

The nut was sitting white high on top of a couple of brass shims, and upon removal the action over the lower frets was much better.

I was also able to tweak the truss rod to allow a little more bow in the neck, then take the bridge down by a fraction, and now she’s playing super-slick! Oooh yeah!


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Gibson Les Paul Nut Slots

A recent guitar I did some work on was a lovely Gibson Les Paul that needed a little attention to the nut slots. The nut had been replaced elsewhere and the new slots were sitting a bit high, meaning fretting at the lower frets was slightly harder work than in other areas of the guitar. Tuning stability would be challenged as well, had they remained.

So, I was able to maintain the action of the guitar as well as cut the slots a fraction deeper to remedy the aforementioned problems. This can be a tricky job to do as you don’t really want to make any errors! Cutting too deep won’t do, so I was checking each time I used my file to take a little more out. Also, it was necessary to pay attention to the angle behind the nut which, if too shallow, would possibly make the string ‘fizz’, giving an undesirable sound and compromising sustain and overall enjoyment of the instrument.

This particular guitar was really special. It has been played a great deal and bears the marks you’d expect – worn finish under the forearm, just under the bridge pickup, and a healthy dose of buckle rash. But what this guitar lacks in ‘mintness’ it makes up for in swathes with charisma and character. It resonated beautifully, and was so easy to play, it was fantastic. A real pleasure to work on it.

So it seems so far so good with the nut slots and depth, and the client seems happy with the adjusted intonation, too.

Since this one, a couple of similar jobs have come in, and it’s exciting to see the variety of instruments that are around! I look forward to updating you all soon!

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Gibson SG Pickup Removal

A customer has brought me their trusty Gibson SG standard to remove the pickups in readiness for some replacements that they’re sourcing.

The pickups to come out of the guitar are Gibson’s own Classic ’57’s, and these ones in particular were originally in a Custom Shop Historic Les Paul, hence the ageing on them.

These are beautiful-sounding pickups, rich in warmth and pristine clarity. They sound fabulous. I can’t wait to see what goes in in their place! Stay tuned! IMG_6448.JPG

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Ibanez GMC Wiring Troubleshoot

Today I had to diagnose and correct a problem with a guitar with a circuit with a push-pull tone pot. The middle pickup only worked when the tone pot was in the raised position, and was silent when down, so this needed some investigation.

Due to the fact everything was working in theory, the solution should be relatively simple, and required only to make sure everything was attached, primarily all connections to do with the middle pickup itself. Within moments of opening the cavity it was obvious the problem was that one of the middle pickup wires had become detached, and simply needed reconnecting. Seconds later, the guitar was in full flow once more, on every setting.

The switching is quite interesting on this guitar – it operates in a similar fashion to most HHH guitars, only all of the coils are split when the tone pot is lifted, and this provides a rich set of tonal options from powerful rock to delicate and brittle single coil tones. Check out the wiring diagram below!


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Squier Refret

This Squier guitar is getting the refret treatment because the owner desires a different feel to the guitar – the previous fret wire was so shallow it made it very difficult to bend and play expressively, so we’re replacing the existing profile with a taller one.  Here’s the guitar so far – more tomorrow!